Saturday, October 5, 2024

Review: Salem's Lot (2024)


I went into this movie with low expectations.  Originally filmed a 2021, it has been delayed multiple times, which is never a good thing when it comes to a movie.  Couple that with the poor reviews for it, and my main hope was that it would at least be watchable.

Part of the problem is that any adaptation of this book will have to drop making the city itself a character.  Jerusalem's Lot, much like Derry in IT, is just as much a character in King's novel as Ben, Dr. Cody, Burke, or Susan.  But, as a visual medium, having that come across without boring the audience is hard to do.  The 2017 version of IT was the most successful at achieving this, with a nod to the 1979 miniseries of Salem's Lot for attempting it to mixed results.

This adaptation - a singular movie unlike the 1979 and 2004 miniseries - is... okay?  They make quite a few changes, but only one, I feel, is detrimental to the overall story.  Most just seem unnecessary.  They don't enhance the story in any way, nor does it challenge the viewer.  They are mostly changes for the sake of changing things, and I have to wonder how many of them are a result of reshoots for this oft-delayed movie.

The performances are mostly just alright, with a few exceptions: Bill Camp, as Matthew Burke, is easily the best in show amongst the performances.  And there is a race to the bottom for two other performances - Pilou Asbæk as Straker (far too over the top and theatrical, both for the character and the movie) and Debra Christofferson as Anne Norton (a character changed vastly from the book, and not to anyone's benefit).  I'm thankful the movie opted to show less of Barlow (Alexander Ward) - he is just menacing enough without being over-the-top, and the look they go with harkens back to both Nosferatu and the 1979 version of the character.

Other than what I've mentioned, there's just not much this is noticeable about this film.  It's the cinematic equivalent to eating cotton candy: once it is consumed you can easily forget about it and move on to something else.  That might play into why it has been so poorly received - the only parts that really stick out are the parts where it is bad, so that's what the viewer remembers.

The review is coming across as much more negative than I actually feel about the film (I'd rank it above the 2004 miniseries with room to spare), so I'll end with this: I doubt this movie becomes anyone's favorite, but I doubt it will top any Worst of the Year lists either.  A mediocre effort.

5 out of 10

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