The Relic follows Dr. Margo Green (Penelope Ann Miller), an evolutionary biologist at the Field Museum of Natural History in Chicago, and Det. Vincent D'Agosta (Tom Sizemore), a lieutenant with the Chicago Police Department, as a strange series of killings occur in and around the museum. The killings are especially brutal, with entire brains removed from the head - and the full brain is never recovered. What could be doing such a thing?
A monster, to answer that question. For The Relic is a creature feature, one where the creature is partly played by the best CGI 1997 had to offer (so, very dated as of 2025) and partly played by a creature designed by the legendary Stan Winston that has aged very well. The movie makes you wait a long time for a full shot of the creature - possibly too long, given that we know there is a monster about long before the characters do - but once it is revealed, it is quite a site to behold.
The creature is one of the main reasons I chose to revisit this movie after having not seen it in many years. It's an inventive design, an amalgamation of multiple animals that - at least in the practical appearances - blend into a familiar yet otherworldly monster that feels truly threatening. It's a bummer when the CGI takes over (though it is above average for the time period) because that loss of weight to the creature really takes you out of the movie.
But back to our plot: Our cold open shows us Dr. John Whitney (Lewis Van Bergen) interacting with a tribe in Brazil. This tribe gives him something strange to drink, which appears to affect him both physically and mentally. We then cut to him desperately trying to get his cargo off of a ship before it leaves and being refused. Why does he need that cargo so badly? We won't find out until near the end of the movie, so buckle up.
The movie plays at being a mystery for a good chunk of the first half of the movie, which is the weaker half by far. Most of this time is spent with Vincent and his partner as they try to figure out what is going on (and he seems to be the only one that realizes something especially weird is going on). We do break away from him to see Margo and her museum adventures (namely: checking out some weird fungus on the leaves sent to them by Dr. Whitney), but mostly we are waiting for the two storylines to converge as the plot spins its wheels far too long with subplots from the book that don't really have any bearing on the main story.
At least it is well acted. Miller and Sizemore both carry the film easily without ever feeling like they are above the material. You also have Linda Hunt, James Whitmore, and Chi Muoi Lo providing vivid characterization in their supporting roles (Lo, in particular, plays an annoying sleazeball incredibly well). Even the bit parts have some nice moments scattered throughout. It helps keep the movie entertaining before we get to the monster, which is a good thing since the plot meanders a bit.
Once the monster reveals itself - during the big exhibition on Superstition, to make sure things are already as creepy as possible - it's basically a race to see who will survive and who will escape (and how will they defeat the monster) until the finale. While I might sound blasé about it, the use of the exhibit is one of the strongest bits of production design in the film. It allows the film to be purposely dark and sets a great tone going into the final act of the film.
Would I recommend this film? Yes. It's a bit dated in the graphics, but it works really well as a creature feature, and it is worth it for the practical version of the monster. It doesn't rewrite the genre, but it is a fine way to spend a couple of hours.
7 out of 10
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